spockslash:

Dee interview transcript, Jan. 24, 2018

[What is your very first memory of Star Trek? Was it love at first sight, or did it take you some time to get “into” it?]

I started out in science fiction, before Star Trek was ever on the air. And in 1966, I was living in Oregon and was part of a women’s writing group, a women’s science fiction group. We were all writing, wanting to write. Some of the members of our group had written professionally, and some were trying to get scripts into Hollywood and so on, but we were all focused on writing. Science fiction in the 1960s was not considered the purview of women.

When Star Trek came out, I imagine [my science fiction club] was how I first heard about it, because I didn’t watch a lot of TV. I had this little black-and-white, eight-inch screen with the bunny ears.

I don’t know why the first episode that aired [The Man Trap] is so disliked, because my memory of it was of just being fascinated. Science fiction … on TV was considered for children. And this was not for children. These were well-developed characters, real plots that you could get into, you could imagine their plight, Bones had a love interest. And there was this Vulcan, who was just a member of this rest of the crew. It was startling, and I was absolutely riveted from that very first day. I had my science fiction club where we would go and talk about it.

[Did your sci-fi group watch?]

We all watched it; we were all excited that something was coming out on TV. Everyone was married, had kids, it was hard to get away to meet, so we would get on the phone and one person would call another and they would call another and this phone chain would go around talking about the episode. I wouldn’t say it totally evolved into a Star Trek fanclub, but pretty close, and we were all fascinated by The Vulcan, by the fact that there was this character that was an alien but serving with a human crew. It almost turned into a Vulcan appreciation sci-fi group, and speculating about what would an alien species be like, working with humans, is what caught our attention.

And by the second year, one member got a color TV and — oh it was a very big deal. In the beginning, we didn’t know that the crew had different colored shirts, or that shirts were related to what job they had on the ship. I remember an early story I wrote where all their shirts were green.

So she had a color TV and we started all watching at her house. And there were a lot of machinations that had to happen because everyone had families, everyone had kids. So one week we’d start planning for the next week. Who’s going take care of the kids, we need a babysitter. We need to collect money to pay the babysitter, and what are we going to do with our husbands? And we didn’t have access to our own money. We couldn’t get money out of our bank accounts without our husbands’ permission, so I remember looking under cushions to get change so that we could send our husbands out to go bowling or something so we could watch and not be disturbed.

It was so exciting. And to see the episodes where Kirk says “She’s a crewman” and where Uhura is working in “Who Mourns for Adonis?” under her communications panel and the way Spock talks to her [“I can think no one better equipped to handle it, Miss Uhura.”]. I can’t tell you. We were just electrified, because that was not the world we were living in, and that was the world we wanted to live in.