vinedragonheartstring:

wyntersknight:

extra-extra-virgin-oliver-oil:

wyntersknight:

hoeofmyheart:

Y’all know when Mulan is sitting in the rain and watches her parents silhouette disappear as the candle is blown out and then her eyes squint in determination and the music that starts to play and you see her go into the family temple and light a match and bow in respect and then sneak into her parents room and switch the scroll for her hair brooch and then the way her reflection is shown as she pulls the sword and cuts her hair?? It’s literally more iconic than any marvel movie

Y’all know that there is heavy symbolism in that scene to show that Mulan is the spirit of the Great Stone Dragon and that’s why Mushu wasn’t able to awaken it?

im sorry What!! i never knew this! my life feels fuller!!! ahhhh

Mulan sits in the rain underneath the statue of the Great Stone Dragon (who is looking down on her), and suddenly decides on a course of action. She looks up, resolved to go to war in place of her father and runs into the temple where she lights the match and beseeches protection for her family. The stone she bows to and that we see lit up by lightening strike is that of the dragon, whose eyes are looking out after her, lit from underneath by the candles. The scene transitions to the divider in the house that also has an icon of the dragon. where she replaces her hair comb with the summons. Then we see the sword hilt, also the dragon, and as she draws the blade we see her face replace it. She ties up her hair, then as she opens the wardrobe, the handles are also the dragon. After donning the armor, the view shows her facing us, with the hilt of the sword (the face of the dragon) in front of her face, where she then turns the sword to reveal her face, and sheaths it. As she leaves, we flash back to the temple, and the eyes of the dragon flash as her grandmother wakes up.

The Great Stone Dragon resides within her. She is the protector of the family.

After this explanation, the scene where Mushu cannot wake up the stone dragon makes so much more sense. I appreciate the symbolism so much more. I noticed the dragon but didn’t notice she was constantly juxtaposed with the dragon!

Canon accepted.

cheeseanonioncrisps:

So I just rewatched Megamind and, since I will never not respond to a good piece of pop culture with analysis, here’s a few things I noticed about how Hal and Megamind interact with Roxanne.

So both characters fancy Roxanne (sorry, but there’s no way I’m going to use the phrase “in love with” to describe Hal’s obsession), and so they both try and do nice things for her.

The difference is…

Sorry, I just had to.

But seriously, note how most of the things Megamind does for Roxanne are done, kind of, anonymously. Or, at least, not as the identity that he’s using to interact with her.

When he cleans up the city and restores the portrait gallery, he does it as Megamind while dating her as Bernard. So, even though Roxanne technically knows that he’s the one doing these things, because she doesn’t knw that he and Bernard are the same person she has no idea that he’s doing them for her.

Even when he rescues her from Titan, he does it in the form of Metroman. And when Titan flies away and Megamind flies down to the ground, he’s still Metroman— making me wonder if he wouldn’t have tried to keep up the charade if Roxanne hadn’t twigged.

Titan, meanwhile, tells Roxanne his secret identity moments after giving her flowers and ‘saving her’ a few times.

Why? Because Hal’s good deeds all have a hidden agenda behind them. He wants to make Roxanne like him and fall in love with him. When he learns that that’s not a possibility, he drops all pretence at being nice to her and becomes downright horrible.

Megamind, meanwhile, doesn’t seem to care whether Roxanne links his hood deeds back to him. Sure, he seems to want her to think well of him, (as shown by his frequent attempts to big his alter ego up by saying things like “maybe Megamind isn’t as bad as everybody thinks” and “I tried my best, but he’s just too fantastic”) that doesn’t seem to be his motivation for being nice to her.

When she discovers his true identity and confronts him, saying she could never love him because of his actions, he doesn’t respond by pointing out all the good things he’s been doing for her recently. He isn’t doing nice things for her so as to get into her good books, he just genuinely seems to want her to be happy and, as such, doesn’t present his actions as a huge favour to her.

And another thing, he pays attention to her.

When she laments that the park is a dump now, he picks up on it. Same when he’s fighting Titan and she hints to him about the location of the invisible car— he not only listens to what she’s saying but pays attention to how she’s saying it and why. After his ‘presentation’ moment (shown above in all its glory), he doesn’t stick around to enjoy the fight. He sees that she’s falling and goes down go rescue her.

Again, compare to Hal, who claims to love Roxanne but ends up not noticing even as she’s kidnapped under his nose because he’s too busy monologuing about how he feels about her. And who is so caught up in himself during the ‘Roxanne meets Titan’ sequence that he seems to be completely oblivious to how absolutely terrified Roxanne is of him.

Because Megamind falls in love with the real Roxanne, and so feels the need to pay attention to what she’s doing and feeling, while Hal is in love with a fantasy version of Roxanne that he’s made up in his head, and isn’t at all willing to let the real Roxanne’s feelings interfere with that.

And, last point, their reactions to getting dumped by her.

Hal, as previously mentioned, turns into a complete asshole, because he got the power to be evil at around the same time he lost the only thing that motivated him to be nice.

Megamind, on the other hand, actually reacts reasonably well. Sure, he’s devastated in the moment, and he does ask her if she looked back, but when she makes it clear that she’s not interested in talking about their relationship, he shuts up about it. And he’s still respectful and polite towards her— he recognises that she’s still a fucking human being and so deserving of respect, even though she rejected him (which doesn’t sound like much, until you consider that Hal reacted to rejection by tying her to the top of a tower and then trying to demolish it).

The furthest he goes is when she tries to encourage him to confront Titan with her and he responds: “I’m the bad guy. I don’t save the city, I don’t ride off into the sunset, and I don’t get the girl. I’m going home.” But the way he says it doesn’t seem to imply that he would have given it a go if she’d just agreed to go out with him. It doesn’t sound like he’s trying to pressure her into dating him, just that he’s, once again, sick of trying to be good in a society that doesn’t expect him to be anything but evil.

And in the end, when he does go back to save her, it isn’t because she makes any declaration of love towards him. All she says is that she always respected the way that he’d never back down from a fight— reminding him that he does have admirable qualities.

So yeah, in conclusion, this is a good film and I should watch it more often. Than you for putting up with what turned out to be basically just a ramble.

em8ambitions:

addignisherlock:

just-shower-thoughts:

Saying “Fuck it” actually motivates me more than “You can do this”.

Because saying “fuck it” includes the total acceptance of failure as the outcome, meanwhile “you can do this” focuses only on the hopes of a successful outcome and the lack of acknowledgement of the equally probable failure outcome induces a certain level of unspoken anxiety

@displacerghost, @setepenre-set

“saying ‘fuck it’ includes the total acceptance of failure as the outcome”

This was probably the way Megamind was able to continue motivating himself to keep up with the evil plots. He knew he was going to fail every time, but he kept trying, learned from every failure, devised new plans, and said “fuck it” before enthusiastically diving in.

em8ambitions:

guapet:

speedlimit15:

exeggcute:

why is it that villains and not protagonists are always the ones breaking gender roles hmmmm 

it’s called queercoding and it’s intentional and basically brainwashes kids into having negative associations with those traits

it backfired. now i’m just hot for super villains.

@displacerghost, @setepenre-set

SAME.

But really, though; it’s not just that I find them attractive, it’s that I identify with them, too. 

Long before I knew I was queer, I identified with them. I saw myself in them, although I couldn’t put my finger on why, exactly. It actually worried me as a child. There were certain things that I found difficult or even impossible to watch because I saw myself so much in the ‘evil villain’ character, and I was afraid that it made me a bad person. 

Thank god for disney’s animated Robin Hood; the villain is queercoded, but Robin is, too–he dresses up as a woman; he moves and speaks in a swishy, feminine way; and he’s deeply interested in romance and love. 

But Robin is the exception that proves the rule; why was he the only children’s-movie hero I could identify with? And it’s worth noting, I think, that Robin is a criminal; he exists outside of normal society, in the space traditionally occupied by villains.

And this is one of the reasons why Megamind is so important to me. 

Because Megamind is queercoded, too. He, too, moves and speaks in ‘feminine’ ways, wears makeup and heels, and values love and romance very highly. 

And even more clearly than Robin, Megamind exists in the space traditionally occupied by villains–but he’s allowed to clearly and definitely move from that role and into the role of hero. 

It heals that childhood wound of having seen myself so clearly in the villains, washes away the guilt I felt for it.

It’s all right. I know you thought you were bad. But you’re not the villain. And you don’t have to feel like that any longer.

Idk if you’ve touched on this in the past, as i am a new follower, so feel free to ignore this if it’s redundant. But i think it’s very interesting that, early in the film, Roxanne’s signature color is red and that’s what she usually wears. Halfway through the movie on her date with “Bernard,” she wears a purple dress. And then at the very end, she’s wearing almost the exact same dress but it’s BLUE. Like. She wanted them to match. To tell the world she’s on his side. What a dork.

(I think there is another post around somewhere about the color symbolism of her clothing, but I don’t think it’s one of mine?)

But yes! ISN’T SHE ADORABLE?! I really also love that she’s wearing red in the beginning–not white, like Metro Man, or like a damsel would usually wear. Red. Immediate visual cue that Roxanne is her own, vivid person. And it contrasts with Megamind’s blue uniform in a really interesting, strong way, echoing how she challenges him throughout the kidnapping sequence. (and yet the accents on the red dress are black, serving to unite the two of them, too)

And it’s so satisfying in the end, when she’s wearing blue! Up on the stage with Megamind! In front of everyone! And you know she had to have been thinking about that when she chose that dress to wear.

I also love that her blue dress is the same style as the purple dress–she wore the purple one on their disastrous date, so wearing the blue version of the same dress helps to unite the two scenes, as well as symbolize the way their romantic relationship has healed and progressed.

(Also! the slow change of Roxanne’s clothing to blue in the movie is what inspired her doing the same thing in Code: Safeword!)

Isn’t it funny that „Highway To Hell“ is about going to a party and „Lovin‘ You“ is about MAKING love?The song Megamind didn’t want to play is the more inappropriate one. XD

Oh, but Highway to Hell is about going to literal, actual Hell, I’m pretty sure! 

“one way ride” 

“going down, party time” 

“hey, Satan, paid my dues, playing in a rocking band” 

“my friends are gonna be there, too” 

I really think it’s a play on the old idea that ‘the devil has all the best tunes’, ‘rock n roll is the devil’s music’ and the tradition of linking musicians with the devil–the devil went down to Georgia and bet for Johnny the fiddler’s soul, there’s a legend that the musician Robert Johnson sold his soul to the devil at the crossroads for the ability to play the blues, the song take me down by the pretty reckless is about the singer selling her soul to the devil for the ability to play the guitar. (these are just a few examples of this; there are more)

Highway to Hell is about going to hell and not being sorry about it–because that’s where all the good musicians are, and that’s where all the singer’s friends are.

Megamind playing “Highway to Hell” at that moment is, I think, him trying to send the message “I’m evil and I’m not sorry about it! I’m damned and I don’t care!”

Is it possible to ask you to explain a little more in depth the Psycho Delic chapter of Temptress (Roxanne)? I’m still confused about what he wanted with her and why she agreed to meet him and then why she didn’t want Megamind to know why she had killed him. Other than that chapter I love the story, so I’d like to better understand that part so I can appreciate that chapter as well. Thank you!!

Sure thing! 

What Psycho Delic wanted with her: 

Psycho Delic hates Roxanne on a personal level because the Temptress has powers similar to one of his own (his aphrodisiac pink smoke), and her powers are much stronger than his. Psycho was one of the main superpowered villains in Metro City before the Temptress showed up and became the city’s most famous, most important, and most effective villain. She showed the city what a real supervillain was. It hurt his pride.

The fact that she’s a woman who uses sexuality as a weapon for her own gain only makes him dislike her more–if you’ve read Overlord, then you know that Psycho’s club is a brothel, and that he keeps the sex workers addicted to his pink smoke, so that they’re more completely under his control.

He wants to get Roxanne under the power of, and addicted to, the aphrodisiac smoke, so that he can keep her under his control–she has so much power, and he wants to use that power for himself. To make her use it in his clubs, to make her pull heists and give him the loot, things like that. And he also just wants to have power over her simply so he can feel powerful.

When he uses the aphrodisiac smoke on her and says “I can give you what you want, beautiful”, he’s trying to make her have sex with him, but it’s not really about him being sexually attracted to her, it’s a particularly nasty way of him wanting to have power over her. 

Especially since Roxanne uses her powers to make people want her, but doesn’t ever actually have sex with any of them. Being the one who finally ‘got’ the Temptress would really be something Psycho could brag about.

Why Roxanne agreed to meet:

Roxanne doesn’t really interact with people socially very much at all. She doesn’t have a very good understanding of what kind of person Psycho Delic is. And she’s been so very lonely for so long. So when one of the city’s other villains asks her to meet so that they can talk about teaming up, she honestly wants to–not because she thinks it’ll make her a more effective villain, but because she just wants to talk to someone, work with someone. He’s got superpowers similar to hers, too, so maybe she won’t have to feel like such a freak.

And what if he’s planning on killing Megamind, or really hurting him? What if that’s what he wants to talk about? It’d be much better to know, in that case, so she can figure out how to stop him ahead of time.

Why she didn’t want Megamind to know why she killed Psycho:

A big part of it is internalized victim-blaming. Like so many victims of sexual assault, Roxanne feels like it must have somehow been her fault that it happened. Like it means she somehow deserved it.

And she’s ashamed of it having happened to her; she feels like it means she’s weak, too. Megamind is her nemesis, how could she tell him ‘I’m so weak that someone hurt me like this’?

(and of course it’s never the victim’s fault, and being attacked like that doesn’t mean you’re a weak person. but it is so common for survivors of this kind of thing to struggle with feeling like this.)

It doesn’t help that Roxanne already hates herself, either. She already feels weak, already sees herself as evil. She says she’s not sorry for killing Psycho, but that’s because she knows, objectively, that he would have hurt more people if he had lived. Emotionally, she’s horrified at herself, horrified at having killed him, at being the kind of person who kills people.

But Megamind has never seemed to see her like that, has always seemed to see her as not completely abhorrent

Having the good opinion of the one person who she can’t artificially influence towards liking her–it means so much to her. It means everything to her, really. Especially since Megamind is such a good person. If he can see her as not completely evil…then maybe there’s something good in her after all.

So she doesn’t want to give Megamind a reason, any reason, for her killing Psycho Delic, because she’s actively trying to get Megamind to hate her at that point. As self-punishment. She feels she doesn’t deserve his good opinion, doesn’t deserve his kindness. 

So she tries to provoke Megamind into hating her, into hurting her emotionally, because she feels that she deserves to be hated and hurt. 

And she knows that, because she cares about Megamind so much, being hated by him will hurt so much more than being hated by everyone else. 

mollyscribbles replied to your post “Temptress (Roxanne) chapter 7”

wait. On reflection, what the hell was Psycho Dellic thinking? Using his gas on someone with pheromone powers – that’s “robbing a gun store with a knife” level stupid.

The fact that she’s more powerful than him is a big part of why he did it–he was already one of the villains in the city when the Temptress showed up, with her powers so similar to one of his own–and so much stronger than his own. A blow to his pride.

A woman, too, one who uses her sexuality as a weapon for her own gain, and not (like the sex workers he keeps under his control) for his benefit. Another blow to his pride, to his belief that he’s inherently superior to women.

He thought he could control her–all of her power, at his command. He’d just have to strike first, and then she would belong to him. And he’d use his own aphrodisiac power, instead of any of his other types of smoke–he’d prove that he was stronger than her, better than her! He’d prove he was more powerful.

Psycho–and the people from the government lab who also behaved so stupidly towards her–they all think of her as an object to be owned, or an animal to be tamed, rather than a person with a strong will of her own.

Very stupid, indeed.

joanhello2:

setepenre-set:

displacerghost:

setepenre-set:

Concerning the M’ega and the Mnyn (edited version with additional information)

( “Mnyn” is pronounced as “minion” with the initial “i” swallowed and the “io” spoken as a kind of sliding “y” sound, as in “syx” )

The M’ega and the Mnyn have a close symbiotic relationship; in prehistoric and early historic times, this involves them working together with hunting, school/pod protection from predators, and child rearing.

M’ega, as a global language, is spoken by both the M’ega and the Mnyn. There are, however, many geographical dialects and accents, and the dialect/accent of the Mnyn often differs from the accent of the M’ega found in the same geographical area.

Although their societies are intertwined, they are still distinct; the Mnyn have an oral history, and they also supplement their use of oral language with gestural language—the gesture language of the Mnyn can also be used without spoken language, so that communication may be silent.

The M’ega choose their own names; the names of the Mnyn are given to them by their social group. These names develop organically, like nicknames. And, as with nicknames, different members of the group may call the same person different things, depending on their relationship.

Megamind calls Minion “Minion” in canon / main Set-canon for the same reason he calls himself “Megamind”—he thinks that remembering their world and people is important. Even then, though, “Minion-you-fantastic-fish” is something like the long form of Minion’s name, with Megamind. (Not with other people, though; because Minion doesn’t have the same relationship with them.)

The “true and final” form of a Mnyn’s name is only given to them after death, when they are added to the oral history song. This is why the Mnyn in general—and Minion, specifically—are so reluctant to use the true names of M’ega and humans. They find it not just inappropriate but morbid and creepy. Roxanne is “Miss Ritchi” (or, in Safe If We Stand, “Miss Roxanne”) until she is “Ma’am”, and Megamind is “Sir”. Metro Man mighy convince Minion to call him “Wayne” only by asserting that it’s not his *full* name, and after much argument.

As the M’ega come to spend more time on land, their relationship with the Mnyn changes; the Mnyn stay in pools and rivers near the M’ega, and spent much of their time assisting and looking after children and other vulnerable members of society, with some of the Mnyn still joining the M’ega during hunting. Even when the M’ega hunt land animals, the Myn still work with them: the M’ega drive large prey or herd animals into the sea, pools, or rivers where the waiting Myn attack from the water while the M’ega attack from the land with spears and arrows.

As agriculture and technology develop among the M’ega, hunting is de-emphasized as a way of obtaining food. The M’ega share their technology and food with the Mnyn, and the Mnyn keep the M’ega’s beaches and swimming areas safe from predators, and help to look after groups of M’ega children.

@nigaiamaiyume​ mentioned thinking that the M’ega bonded to Mnyn would include those of high status in need of assistance in their work, and the more I think about it, the more I think this idea is right. (I knew there had to be some social tension around bonded pairs, and I think this gives that tension nuance.)

Some Mnyn obtain robotic suits from the M’ega; these are usually the Mnyn who look after groups of children, individuals, or the Mnyn who choose to bond with one of the M’ega. 

Bonds mostly happen when both the M’ega and the Mnyn are young. The bond is chemical / has a pheremonal component; a bond will not happen unless both the M’ega and the Mnyn involved wish for it. A bond can later be broken, if either (/both) party should desire it, but this is difficult and unpleasant.M’ega bonded with Mnyn in their early life will sometimes use a system of gesture language based on the Mnyn gesture language. This can be supplemental to verbal communication, or used instead of verbal communication.

Individual M’ega that are helped / cared for by a personal Mnyn include those of high status or exceptional gifts who require assistance with their work, the disabled, the elderly, and the neuroatypical. The elderly do not always bond with their personal Mnyn. High status M’ega and exceptionally gifted M’ega, as well as the disabled and neuroatypical, usually bond with their personal Mnyn; 

Megamind is neuroatypical for his species–the M’ega equivalent of autistic and ADHD, but he also still struggles with depression. In canon, his depression is greatly worsened due to trauma, but even in a universe where the Black Hole Event does not occur, the depression is still there. 

Some aspects of autism and ADHD would be seen as desirable as the M’ega: the ability to hyperfocus, special interests–even impulsivity, to a certain extent, and hyperactivity, if channeled into productivity. Some of the differences in social interaction and communication and difficulties paying attention that come along with autism and ADHD would be seen as less desirable. Though, since they are understood to be connected to the desirable aspects, they are more accepted on M’ega than on Earth. Autistic and ADHD (equivalent) M’ega are also more common than autistic and ADHD humans, and much more likely to occupy places of high status, authority, and power.

Megamind is exceptionally gifted for his species (It’s also possible that is family may be high status.) Even in a universe where the Black Hole Event does not occur, Megamind is still bonded with Minion. (Minion is both a work-assistance Mnyn and a medical-assistance Mnyn to Megamind.) And, even in that universe, Megamind’s way of speaking and gesturing is noticeably different from the communication norms of his species.

The relationship of a bonded M’ega and Mnyn is a unique one, having aspects similar to a familial relationship, a friendship, a caretaker and ward, and an personal assistant. The Mnyn is never considered a servant or lesser than the M’ega. A bonded M’ega is generally perceived as lucky. 

Unpleasant people may suggest that certain M’ega don’t ‘deserve’ their Mnyns for various reasons–that someone has no exceptional gifts (and that they were bonded only because of their high status, or because it was erroneously believed that they did have exceptional gifts)–or that they are not ‘really disabled’–or simply that disabled people should not be bonded. 

How does it work when M’ega with Mnyns get married? Do the Mnyns get a say in their partner’s partner? What if they both have Mnyns? And if only one does, does the Mnyn do any caring for the partner, too? And along those lines also–what about offspring? Just wondering what the family dynamics would look like. Are the Mnyn considered family, if they’re bonded?

A bonded Mnyn wouldn’t be able to forbid their M’ega partner from marrying a certain person, but marrying someone your bonded Mnyn disapproved of or disliked would be extremely rare and shocking, much more shocking than simply marrying someone that your family disapproved of. And it would likely lead to the bond between that M’ega and Mnyn being broken, which would also be very rare, and extremely unpleasant for both of them.

If both M’ega in a relationship have bonded Mnyns, it becomes even more complex–both Mnyns must approve of and get along with not only their bonded M’ega’s prospective partner, but also that partner’s Mnyn. Again, it’s possible that the M’ega partners might still pursue a romantic relationship if their Mnyns dislike each other, but it would be very rare, lead to much friction, and possibly lead to broken bonds.

Usually, though, if a M’ega and a Mnyn are bonded, it is because they have complementary personalities; if the M’ega in a bond likes someone, that person is likely to have a personality that will appeal to their bonded Mnyn.

Mnyn are considered family, yes! When a bonded M’ega marries, their romantic partner would consider their spouse’s Mnyn to be their family, too. The bonded Mnyn may do some caring for their M’ega’s partner, too, or they may not; it depends on what the partner needs. Sometimes a M’ega’s romantic partner will take over some of the responsibilities that formerly belonged only to the M’ega’s Mnyn.

This may lead to friction, but it is more likely to be seen as a positive change by everyone involved. Bonded Mnyn want their M’egas to develop healthy personal relationships with people other than just them. And in a healthy M’ega and Mnyn bond, the bonded Mnyn feels able to form personal relationships of their own.

In canon, when Minion tells Megamind, “my sole purpose in life is to look after you!”, that is not what a healthy bond should be. When Megamind says “some days it felt like it was just me and Minion against the world”, that is also not what a healthy bond should be. Their bond has grown like this because of their unfortunate circumstances; in a better world, Megamind and Minion would each have friends of their own as well as shared friends, and Minion would feel free to pursue other interests in addition to caring for Megamind.

Part of the reason, I think, that Megamind pretends so hard to be mentally and emotionally okay is because he does know Minion feels like the only thing his life has room for is looking after Megamind, and Megamind feels terribly guilty about that. Megamind says to Roxanne in Code: Safeword that, when he thought about committing suicide, he knew that Minion would be sad, but he also knew that Minion would be free. Megamind sees himself as a burden, something Minion has been shackled to by their bond.

“My sole purpose in life is to look after you,” is a terrible thing to be told. On the same level of terrible, I think, as “I’ve failed as a parent.”

It’s no wonder that, when Minion tells Megamind that his sole purpose in life is to look after him, Megamind insists so wildly that he doesn’t need Minion to look after him. The feeling of being a burden to someone you love, the idea that they only stay with you because you need them and they feel obligated–those are absolutely awful things to feel. 

In canon, I think, as in all of my stories, Megamind and Minion’s bond becomes much healthier after Megamind and Roxanne get together.

An example of this is in the Kiss Me universe; Minion is pleased when Megamind starts spending time alone with Roxanne, and when Megamind has one of his bad depression days, Minion feels comfortable leaving him and going to spend time with Wayne because he knows that Roxanne, as Megamind’s romantic partner, will care for Megamind.

Another example of a healthier bond between them is in the Safe If We Stand Close Together series; their bond in that universe will likely never be as unhealthy and codependent as in other universes because Roxanne befriends them at a young age. In Terms of Endearment, Minion leaves the room to let Roxanne talk to Syx about Syx’s pattern of using Halloween costumes to hide. Minion trusts her to help care for Syx. And Minion knows that the three of them have a friendship together, but Syx and Roxanne also have a deep and unique friendship that exists specifically between the two of them. 

A bonded Mnyn will sometimes form a kind of secondary bond with their M’ega’s spouse, sometimes not; and the strength of this bond varies. And the bonded Mnyn may form a tertiary bond with their M’ega’s children, or they may not, and the strength of this bond varies. The presence or absence of these secondary and tertiary bonds isn’t necessarily indicative of the Mnyn’s affection for the spouse or children of the bonded M’ega. A Mnyn may like their M’ega’s spouse and children very much and still not form a bond with them–sometimes because the spouse and/or children don’t need a bond, and sometimes because there just isn’t that ‘click’.

I’d say Minion definitely forms a secondary bond with Roxanne when Megamind and Roxanne get together, and that he does do some caring for Roxanne. She seems, on first glance, to be perfectly put-together and entirely functional, but when you look closer, she’s the kind of person who talks to statues and hyperfocuses on big projects and ends up fighting evil in a pair of fuzzy pink house slippers because she forgot to put on real shoes when she left her apartment in a moment of excitement.

If Roxanne were M’ega, she would probably have been bonded with a Mnyn. Unless her intellectual brilliance and social difficulties were as overlooked on M’ega as they were on Earth, which is possible, but unlikely.

I would theorize that Minion, in the canon timeline, might form a slight secondary bond with Roxanne even before she and Megamind actually start dating–because as far as Minion’s instincts are concerned, Roxanne and Megamind are already together.

(This is why Minion can’t seem to stop himself from answering Roxanne’s question about the tesla coils and blinky dials even when Megamind orders him not to, and why Minion says “yeah, good luck with that one” and sides with Roxanne when she tells Megamind that his plan is failing.)

Megamind and Roxanne repeatedly go through the M’ega courtship ritual in front of Minion, and they give off such strong ‘these people are together’ vibes that Minion’s instincts just sort of…subconsciously decide that Roxanne and Megamind are already married.

(This is all definitely subconscious, though, which is why Minion still freaks out when he realizes that Megamind is in love with Roxanne. It doesn’t help that Megamind is, at this point, lying to her and going about dating her in completely the wrong way, and declaring that, because of her, he means to abandon what he’s always told Minion is his life’s work. Any bonded Mnyn would be inclined to panic if their bonded M’ega said something like that.)

So about the Mnyn only using a person’s full name after their death: would Minion consider “Metro Man” to be part of Wayne Scott’s name? How would he refer to Wayne after his “death”?

OOOH THOSE ARE INTERESTING QUESTIONS!

Okay, so the answers will be different depending on which universe we’re talking about, because it depends on how well Minion knows Wayne, and how much he likes Wayne.

I don’t think Minion likes Wayne very much in canon. Like–I don’t think he actually wants to kill Metro Man (he’s relieved when he sees Metro Man flying out of the explosion, apparently unharmed). But once he is dead–well. 

At least Sir is safe, now! So much less likely to get himself killed fighting!

So–I think canon!Minion, and Minion in fics where Minion dislikes/doesn’t know Wayne very well–I think Minion in those universes considers Metro Man to be Wayne’s name–because it’s the name Wayne chose for himself. He’s Metro Man and not Wayne Scott to Minion in the same way that Megamind’s name is Megamind and not Syx to Minion.

So Minion calling Wayne ‘Metro Man’ before his death is a mark of dislike–he’s basically cursing every time he calls Wayne that, and nobody knows but Minion and Megamind (who probably thinks it’s hilarious, let’s be real).

(Minion is all about throwing that subtle passive-aggressive shade.)

But I don’t think Minion truly hates Wayne, even in canon. If he did, Minion would refuse to use his name after his death. The M’ega and the Mnyn have a shared cultural tradition of damnatio memoriae for people they truly hate. (sometimes the whole society will do this for a really evil person; sometimes a single person or a family will do it for more personal enemies.) In the M’ega and Mnyn tradition of damnatio memoriae, you either avoid saying the hated person’s name, possibly giving them a disparaging nickname, or you use their name but say something like ‘may they be swiftly forgotten’ after their name. (A person doesn’t have to be deceased for this damnatio memoriae to occur, either.)

Minion uses Metro Man’s name in canon after his ‘death’, which is why I think that he didn’t really hate him. If he really hated him, then after Wayne’s ‘death’ Minion would probably be more likely to refer to him as Wayne or Wayne Scott.

In a world where Minion knows that Wayne doesn’t want to be Metro Man (like–in a post-canon fic, after he finds out that Wayne faked his death) Minion would understand Wayne Scott (or Music Man, if Wayne’s really serious about that) to be his name. 

If Minion wanted to be really blatantly impolite in these circumstances, he’d call him Metro Man–using someone’s explicitly rejected name is a piece of rudeness that translates over all the cultures. If he wanted to be more subtle, he might call him Wayne–although Wayne would probably read this as friendliness, which would annoy Minion. So Minion would probably call him Wayne Scott instead, which Wayne would read as over-formality, and be uncomfortable with.

If, as I suspect, Wayne drops the whole Music Man idea pretty quickly, Minion could be really rude by continuing to call him Music Man afterwards.

If Minion actually likes Wayne, he’d be more likely to call him Mr. Scott. Ironically, in the universes where the two of them get along, this is something that Wayne dislikes. It makes him feel like Minion’s holding him at a distance or trying to imply that Wayne is somehow above him.

If Wayne really insisted, and Minion liked him, he could convince Minion to call him Wayne–because, for a Mnyn, making sure a person you like is comfortable/happy is more important than all other social norms. 

And I do think Wayne is the type to insist. Especially in universes where Wayne and Minion are dating! One of the arguments Wayne uses is that his real name is his full name–so Minion calling him just Wayne is like using a nickname, really!

If Roxanne really insisted, she could convince Minion to call her Roxanne, too, but Roxanne doesn’t insist. (…human Roxanne finds it easier to accept nonhuman social norms than actual-alien-Wayne.)

The real-name thing is why Minion uses Roxanne’s name to Megamind in canon when he says “what happens when Roxanne finds out who you really are?” She’s Miss Ritchi in Minion’s previous line; he switches to her real name there because he’s essentially cursing for emphasis. There’s a strong undercurrent of ‘what the fuck, Sir’ to that line, with the strong additional implication that this is going to be a possibly fatal disaster.