Bruce has set up a makeshift lab in Wakanda, while the world takes stock of their dead and Wakanda mourns for their king. Bruce isn’t doing anything important, but he needs to do something, so he studies Wakanda’s vibranium supply and attempts to keep Shuri busy.
Otherwise, the grief might just be too much for the both of them to bear.
Bruce also tries very hard not to think about Tony and what form of matter Tony may or may not be at this very moment. He’s only moderately successful.
It’s on the third day of the second week after half of the world has turned to ash that Thor brings Bruce a little green snake. Bruce is baffled, but he tried to be polite about it. Bruce is heartsick, though, so that makes everything a little harder.
Then Thor asks for Bruce to see if the snake is Loki, and it takes every bit of willpower Bruce Banner poses to not burst into tears. Thor is so strong and so keen to smile, he makes it so easy for everyone to forget that he has lost nearly everything.
Bruce pokes at the snake without any further complaints. When nothing happens, the grief on Thor’s face is unimaginable.
Bruce begins spending time with both Thor and Shuri, in a desperate attempt to combat his own grief by combatting theirs.
All the while, every second or third day, Thor brings Bruce a small green animal and asks Bruce to see if it his lost brother. Bruce checks every time, with care and precision, but the result is always negative. It’s awful for both of them, but Thor can’t seem to stop and Bruce doesn’t know how to make him.
This pattern holds for a few weeks, until Thor brings Bruce a beaten and battered lizard. It’d been burned somehow and it looked like one of its limbs had been badly broken. When Thor presents it to him, Bruce honestly isn’t sure if Thor had just brought the little thing to Bruce to see if it could be saved.
“Could you check?” Thor asks, the question quiet and hurt after so many weeks of negative results from Bruce’s prodding and poking.
“Of course,” Bruce says softly, adding his portion of the call and response.
He gingerly picks up the lizard, as the poor also looks like he’d been through the wringer, and gives him a quick once over. Bruce’d been right about the broken leg and the burns were pretty –
The lizard fucking turns into Loki. A damaged, burnt Loki who scuttles backward on a broken leg while spitting blood.
Thor bursts into tears. Bruce bursts out laughing. Everyone has their own way of processing grief and shock and grief turned into shock, apparently.
It’s later, when they’ve gotten Loki a little patched up, convinced Okoye not to kill Loki (”He tried to destroy the world!” she says – “He’s gotten better,” Bruce says), and Thor’s eyes were mostly dry, that Loki finally says through clenched, bloodied teeth:
“They’re in a pocket dimension.”
“Who?” Bruce whispers, stunned.
“Everyone. I told him he’d never be a god. He was just a warlord playing at being something powerful. He should’ve fucking listened.”
The thing about how women in comics used to be drawn and sometimes are still drawn, you can only really understand the difference between an action girl being forced into unrealistic sexual, sensual positions, and an actual strong and well posed, empowering but still sexy female character, when you see what it looks like to have male characters depicted in overtly sensual poses
And I’m not talking about the Hawkeye Initiative or any given parody
I actually want to draw a comparison using art by Kevin Wada
Kevin Wada is a proud part of the LGBTQ+ community and he has this unique ability to sexualize mainstream male heroes without it looking like a parody. He draws covers for multiple big comic companies and his style reminiscent of old fashion magazines, drawn largely in traditional watercolor, has made him a stalwart of the industry.
He also draws a lot of naked Bucky Barnes.
Anyway, I want to talk about how interesting his art is, the difference between his power poses and his sexy poses for male and female characters.
A typical power pose for a male comics character would look like this
Whereas every so often with female heroes you get something like this
Not all the time, of course, but it happens and it happens in the wrong places. You wouldn’t be posing like a cover model in the middle of a battle, you really wouldn’t.
But when it comes to Wada and male and female characters, the difference is pretty clear.
When he draws male characters, they more often look like this
Sensual, in a pose you wouldn’t usually see a big, muscular hero doing. If not that, then playful, sexy, for looking at, but nothing about their anatomy overly exaggerated
How he draws women is also very clearly different from many other artists, from sexy pose to power pose.
Still posing for the camera, still to be looked at, but very, very different from how we’ve seen female characters portrayed in mainstream comics in the past.
And I guess it’s really just a matter of variety? Objectification in art is a long time debate and appears everywhere always, but for all that we can argue about its impact on popular media, there are a few things I know for sure:
1) having a female character pose like a playboy cover girl in the middle of a battle scene is just Bad Art and y’all need to find better references
2) female power poses will never look quite as right as when they’re drawn by people who know the value of expressing personality through pose (it’s basic animation principles and some artists still need to learn it) and who actually know what a female character’s personality beyond “sexy”
3) Iron Man or Batman posing like they’re about to beat somebody up is 100% not the same as a fashion drawing by Kevin Wada where a Typical Beefy Action Guy gets to pose like a flirty pretty boy
4) the MCU films have figured out the value of pandering to female audiences by sexually objectifying all their male action heroes while simultaneously appealing to the male demographic’s action movie power fantasy. Quoting Chris Hemsworth and Taika Waititi: “I’m not a piece of meat” “Uh, yes you are.”
They definitely struck some kind of balance there.
Also, more important than this entire post: y’all should follow @kevinwada on Tumblr and give him love because his art is divine and his talent beyond words
Who took this picture!? This absolutely PERFECT picture??? It is just… so… perfect. Distilled autumn pastoral fantasy. The colorful mushroom, the curl of the fern and flowers, the muted background foliage, the beady eyes and precise whiskers of the tiny squeakbeast!!! Unreal. Wow.
The artist is Phil Winter, and he deserves to be credited for such a wonderful photo.
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